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The AEA R88 stereo ribbon mic stuns engineers with its clarity and natural stereo image. “This [KU4] will be a permanent part of my drum rig, so much that I’m considering buying a second KU4 to move around the studio for other applications.”, “For close miking the bell and upper stack area, the KU4 is the best mic I’ve used on Bass and Baritone Sax.”, “The KU4 has been our go-to mic on everything since it arrived. Ein weiterer 20dB Gain steht nach dem Ausgangspegel Potentiometer zur Verfügung. It expanded the engineer’s range of placement choices and became a standard at film studios throughout the world. The two ribbon elements are angled at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone. That means it will not be hurt by loud sound sources. Yes, It's expensive, but the feeling you get when you hear the KU4 in front of anything is the reason audio engineers get out of bed in the morning...The KU4 has an intimate quality that I've not heard out of any other ribbon. Vocals / guitar amps (not crazy loud) / acoustic guitar. AEA R92 Ribbon Microphone | AEA Ribbon Mics and Preamps R92 MAP $799 usd With a thick low-end and hefty midrange, the dual-toned and near-field R92 ribbon mic … The KU4 makes it possible to actually own the legend.”, “The combination of classic ribbon smoothness with a near-cardioid pattern is a very beguiling permutation that enables the use of ribbon mics in situations that are normally inappropriate or too challenging. Preise inkl. A list of the 7 best ribbon mics including: Royer 121, 101, SF-12, Avantone Audio CR-14, AEA R84, AT4081, and Beyerdynamic M160. Only ribbon mic I’ve had much experience with. It’s the same requirement with all passive ribbon mics. The KU4 can handle 140+ dB SPL at 1 kHz. gesetzlicher MwSt. Inspired by RCA's BK5, AEA's latest mic combines classic ribbon tone with a supercardioid polar pattern. - Rode NTR - AEA KU5A - m130 (for reference) Better Dynamic m130 - I have two of these, vintage / inherited from my Grandfather. Original KU3As are notorious for their sonic inconsistencies due to production tolerances that included the use of the thick hair of English cows as a damping material. Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. We felt 'esses' were a little subdued, and the mic was generally a little dark, but in general it was nicely charismatic, albeit with a fairly hefty proximity effect: classy, and eminently useful. AEA R84 'Tasteful' was the first word we wanted to use when hearing the R84 on vocals. Versandkosten, Der AEA Ribbon ist ein ultra-high Gain-und Impedanz, minimal-Pfad FET mic preamp der speziell von Fred Forssell entworfen wurde. When you purchase an AEA microphone, you connect with the proud history and exciting future of the world’s finest ribbon mics. Being a near-field ribbon microphone, the microphone was designed to be positioned between one and 18 inches from the source. The KU4 is a redesign of the legendary RCA KU3A, a unidirectional microphone originally designed for boom use in Hollywood motion picture studios. As the brightest mic in the AEA line, it retains the full spectrum sonic range that has made ribbon mics a staple in most of the world’s great recording studios. The AEA R88 stereo microphone is a true Blumlein recording system and houses two ribbon transducers with two separate outputs. Far-field ribbon mic designed to retain low end and top end at a distance Stereo version of the AEA N8 Active R88A version has 12dB level increase and is optimized for all preamps Made in the U.S.A. Dies ermöglicht Verbesserungen durch die minimal-Pfad-Schaltung und befreit den Vorverstärker von der Einheit der Phantomspeisung mit ihren Blockkondensatoren. At the heart of all our products is a promise to deliver creative tools of the highest quality and craftsmanship possible, a promise inherited from our predecessor, RCA. ), +49 (0)2330 892 88 52 +49 (0)176 705 48851 shop@peakhouse-audio.de www.peakhouse-audio.de, * Alle Preise inkl. The A440 is an extremely quiet ribbon microphone, arguably the quietest ribbon mic ever produced. ”, “It's hard not to rave about this mic. - 83 dB Verstärkung     - 130 EIN Rauschzahl     - 3 dB bei 300 kH     - Keine Phantomspeisung, 18.000 Ohm Eingangsimpedanz     - Grüne und rote LED zeigt an Kanalpegel     - Symmetrische XLR +4, und unsymmetrische ¼ inch 10 Ausgänge     - Switched Continuous Gain und Level Controls     - Phase Reverse Schalter und Hochpass     - Grau und schwarz eloxiert matte Aluminium     - Laser gravierte Legenden und einzelne schematische Zeile     - Externe Stromversorgung für minimales Rauschen     - Halbe Rack Breite, eine Höheneinheit hoch (8,5 "x 8.5" x 1.7 ")     - Gewicht: Zwei Pfund, plus Netzteil (1,5 lbs. Simply OUTSTANDING for most applications. The mic’s proximity effect kicks in six inches away from the sound source. The KU3A was made by hand for a special job, and became a legend much the way the Stradivarius did. We may all tune to A440, but with the AEA A440 in your mic locker, you really won’t have to tune your ears or your EQ. Today, the KU3A is a rare collector’s item and only a handful of studios or rental houses own them. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. Preamp gain should be at least +60dB or higher and the preamp should have a very high impedance. With most figure-of-eight patterned ribbons, mic positioning can require a finesse to avoid other sources using the microphone’s nulls. This problem-solving microphone can be used in virtually any recording situation. This is important because it is the reason all AEA mics sound like they are from the same family, even though each mic … It can be placed close to an instrument while retaining a balanced frequency response. AEA TRP Ribbon Preamp Der AEA Ribbon ist ein ultra-high Gain-und Impedanz, minimal-Pfad FET... Produktinformationen "AEA TRP Ribbon Preamp", Ihre Zugangsdaten konnten keinem Benutzer zugeordnet werden. Also 'even', and 'clear and natural, yet tamed'. The AEA mic pre is also a must have - not only for their mics but for tube mics and other ribbons. To guarantee consistent, full-range ribbon sound, we recommend AEA’s RPQ2, RPQ500 and TRP2 preamps, which were specially designed for ribbon microphones. Sonically, the R88’s forte is its open and natural tonality. This is an advantage when tracking musicians live in the same room or when used live on stage. I had one of them serviced. The mic’s supercardioid polar pattern, bright voicing, and near-field design offer the flexibility to use it in the exact same way as a condenser. Der AEA Ribbon ist ein ultra-high Gain-und Impedanz, minimal-Pfad FET mic preamp der speziell von Fred Forssell entworfen wurde. The R44 CX is that "Magic" mic that I had been looking for. The KU4’s minimal proximity effect and accented mid-range make it an exceptional vocal mic that captures the presence and detail of a performance. After getting used to bright condenser microphones, sometimes traditional ribbon mics sound darker than desired. At AEA, we engineered our KU4 from the ground up in order to recreate this seminal design while ensuring flawless consistency from unit to unit. The KU4’s supercardioid polar pattern enables it to capture direct sound from a vocalist or instrument without room tone. AEA’s KU4 is one of the most useful and unique ribbon microphones in the world. The KU4, with its unique bright character, has the best elements of both condensers and ribbons– specifically, a smooth midrange that doesn’t accentuate sibilance in the same way that condensers often do. I have an AEA R44CX and their stereo ribbon mic. AEA N8 - Active Ribbon Microphone | AEA Ribbon Mics and Preamps NUVO N8 MAP $1099 usd The active NUVO N8 is a modern ribbon mic that records the live, natural sound of instruments within a space as it would sound in-person, with all subtlety and nuance present.

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